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Tirada: 50 Years of Philippine Printmaking 1968-2018 exhibit catalog now available online



THE exhibit catalog of Tirada: 50 Years of Philippine Printmaking 1968-2018 featuring essays by guest curator Patrick Flores, and printmakers Virgilio Aviado, Imelda Cajipe-Endaya and Jose Santos Ardivilla is now available for digital download in the CCP website.

 

The exhibition Tirada: 50 Years of Philippine Printmaking 1968-2018 celebrated five decades of the Association of Pinoyprintmakers (AP), formerly known as the Philippine Association of Printmakers or PAP.  It was held at the CCP’s Bulwagang Juan Luna (Main Gallery), Pasilyo Guillermo Tolentino (3F Hallway Gallery), and Pasilyo Vicente Manansala (2F Hallway Gallery) from May 19 to July 15, 2018.

 

The Tirada exhibit catalog may be downloaded using the link https://www.culturalcenter.gov.ph/events/visual-arts/tirada-50-years-of-philippine-printmaking-1968-2018/details

 

To get updates on the Association of Pinoyprintmakers, follow their social media pages in Facebook @philippineprintmaking and Instagram @pinoyprintmakers.

 

The CCP galleries will remain closed until further notice.  For inquiries, contact the Visual Arts and Museum Division via email at ccp.exhibits@gmail.com, mobile 0935-3379438, or through @ccpvamd on Facebook, Twitter and Instagram.

 

CCP OUTREACH REUNITES THE SING PHILIPPINES YOUTH CHOIR (SPYC) FOR A VIRTUAL MUSIC CAMP & PERFORMANCES




 THE Cultural Center of the Philippines (CCP) Outreach Program under the Cultural Exchange Department (CED) in partnership with the Andrea O. Veneracion Sing Philippines Foundation Inc. (AOVSPFI) and the MADz Music Studio reunites the 36 tour group members of the Sing Philippines Youth Choir (SPYC) from 19 provinces all over the country for a virtual music camp and performances this whole month of July 2020.

 

The month-long virtual music camp will include sessions on Breath as the Powerhouse of the Voice, Vocal Production and Placement, Articulation and Diction, Interpretation and how to apply dynamics to produce nuances and McClosky Vocal Technique and Therapy.  Leading the pool of trainers is Philippine Madrigal Singers’ Choirmaster Mark Anthony Carpio together with virtuosos and MADz alumni Bianca Camille Lopez Aguila, Katrina Marie Saga, Nil’s Flores, and Tomas Virtucio.

 

The virtual version of the music camp and performances came about due to the COVID-19 pandemic and the resulting community quarantine and need for social distancing.

 

With the new normal set-up, the project team faces a number of challenges due to the inability to have face-to-face sessions.  But the choristers from Luzon, Visayas, Mindanao, and NCR are eagerly excited to reunite and continue advancing their choral skills, make music together utilizing a new platform and more importantly, find comfort, peace, joy, and fulfillment from doing the project through this most difficult time.

 

To culminate the virtual camp is a special online performance of selected songs including the previous concerts of the SPYC at the CCP Main Theater and a premier of an originally composed SPYC theme song.

 

The original camp schedule was last March 9-13 in General Santos City, followed by a Europe tour and competition supposedly this August.  The SPYC 4th batch music camp was also supposed to happen in CCP this October.

 

The SPYC project was launched in June 2014 by the Philippine Madrigal Singers or MADz and the CCP CED.  To date, the SPYC has 155 choristers/members from 72 provinces/local communities across the country.  The Sing Philippines movement brings to life the vision of National Artist and MADz founder Andrea O. Veneracion, of a nation singing in harmony and united in songs.

 

For more information, contact the CCP Cultural Exchange at email address ccp.ced2014@gmail.com or the MADz Music Studio at info@madzmusicstudios.com

 

CCP GROUNDS OPEN TO RECREATIONAL VISITORS



"CCP GROUNDS OPEN TO RECREATIONAL VISITORS"

 

 

AS Metro Manila gradually opens up under the GCQ and life begins under the new normal, the Cultural Center of the Philippines welcomes back visitors to its outdoor spaces.

 

The CCP grounds are open for jogging, exercising and other physical wellness activities.  Visitors are requested to practice social distancing, wear face masks and face shields for their own protection as well as everyone's.  The use of the CCP Front Lawn will be limited to only 30 people at a time while the CCP Ramp will be closed.

 

For many years, the CCP Complex has provided residents of Manila and Pasay with the freedom and enjoyment the outdoors have to offer.  On a seasonal basis, the CCP continues to present visitors with outdoor art installations, cultural programs with open-air performances and light and sound shows on its facade.  The CCP Complex, although not officially a park, has always been a place for people to play and spend time with family.

 

 

2020 GAWAD CCP PARA SA SINING AWARDEES NAMED


TWELVE individuals, a performing group and a publication have been named recipients of the 2020 Gawad CCP Para sa Sining for their outstanding achievements and contributions to Philippine arts and culture.

 

The Gawad CCP Para sa Sining is the highest award given by the Cultural Center of the Philippines.

 

Due to COVID-19, the awarding ceremonies will be held in 2021.

 

This year, the award is conferred on

1. Rafael Catalino "Nonoy" Froilan for Dance

2. Raul M. Sunico for Music

3. Felix "Nonon" Padilla for Theater

4. Luis "Junyee" Yee, Jr. for Visual Arts

5. Lualhati Bautista for Literature

6. Clodualdo “Doy” del Mundo, Jr. for Film and Broadcast Arts

7. Cristina Turalba for Architecture

8. Kenneth Cobonpue for Design

9. Integrated Performing Arts Guild (IPAG) for Culture of its Region

10.Nestor Horfilla for Cultural Work and Research

11.Liwayway Magazine for Development of Philippine Culture

12.Antonio Fabella for Dance (Posthumous)

13.Alice Guillermo for Cultural Research (Posthumous)

 

Danilo Dolor will receive the Tanging Parangal for the development and support of the arts.

 

About the awardees:

 

Rafael Catalino "Nonoy" Froilan is one of the country’s most talented and prolific dancers/choreographers.  One of the pioneers of Ballet Philippines, he is known as the Philippines’ beloved Premiere Danseur, partnering with the leading ballerinas of his time and best remembered for his leading roles in groundbreaking dance productions such as Songs of a Wayfarer and Song of Adarna by Norman Walker, Full-length Roi David by Jean Qeroc, A Midsummer Night’s Dream, Romeo and Juliet, Amada, Itim Asu, Carmina Burana, Misang Pilipino, Ang Konsiyerto, Baile de Ayer, Sisa Te Deum, Asong Ulol, Ensalada and Yerma.  As a choreographer, he has contributed greatly to the body of original Filipino dance with his Danzas, 1986, One Afternoon, 1987, Iba’t Ibang Salita, 1988 and Amparo, 1990.

 

Raul M. Sunico is an outstanding Filipino pianist, arranger, composer, and teacher.  He is an advocate of Philippine music, preserving it for the enjoyment of future generations through his large discography that encompasses around fifty compact discs recordings, including his piano transcriptions of Filipino folk songs and kundimans, original compositions, piano arrangements of Philippine songs in Himig and “Mga Awit ng Himagsikan”.  He also championed music education and authored the textbook series “Musika at Sining” for grades 3 to 6 used in public schools.  He is a gifted pianist who will always be remembered for his pianistic feat of being the only Filipino pianist to perform four Rachmaninoff concertos in one concert and the three Tchaikovsky concertos in another.

 

Kenneth Cobonpue is an internationally acclaimed industrial designer who made his mark with his signature designs in natural fibers and materials.  His designs mainly focus on nature’s forms using rattan, buri, bamboo and abaca.  Cobonpue integrates locally sourced organic materials with innovative hand-made production techniques offering an alternative to the Western definition of modern design.  His unique and singular furniture pieces that include chairs, tables, beds and complements are found in private homes and public establishments all over the world, and the recognition given him by the international design community has put Philippine modern design on the map of the world.

 

The Integrated Performing Arts Guild (IPAG) is a trailblazer in the establishment of an active theater in the Southern Philippines.  Its productions are built from local creative expressions in dance, music, literature, the visual arts, and indigenous lore.  A dance-theater format based on the Pangalay dance form of the Sulu Archipelago is its signature that helps keep this ancient tradition alive.

 

Nestor Horfilla is a major force in the propagation of cultural work as part of development work in the regions.  He pioneered the establishment of the first ever Mindanao Community Theater Network in the 1980s along with development and social worker Karl Gaspar, which organized hundreds of community and church based cultural organizations in the regions.  He is a leading advocate of immersion in the cultural watershed of indigenous knowledge systems and practices towards the creation of art works that explore the dynamics of the times.

 

Felix “Nonon” Padilla is one of the most original, accomplished and influential figures in contemporary Philippine theater.  With a career spanning more than 50 years, he is both a theater artist and a visual artist.  He has always been at the forefront of theater, holding the distinction of being the only theater practitioner to serve as artistic director of two of the country’s trailblazing theater companies – Philippine Educational Theater Association in the early 1970s and Tanghalang Pilipino which he founded in 1987.  He founded the Tanghalang Pilipino’s Actors Company that became the breeding ground of Filipino theatrical talents that now dominate Philippine theater.

 

Luis "Junyee" Yee, Jr. has a sizeable body of work that definitely established the trend in indigenous materials.  His work assembles, binds, or weaves together into various shapes organic materials such as dried pods, twisted roots, banana pulp, coconut shells, twigs, and coconut fiber.  Whether exhibited in a gallery or in an urban context, his installations are a reclaiming space for nature.  One of his works entitled “Angud, A Forest Once” was exhibited at the Front Lawn of the Cultural Center of the Philippines in 2007.

 

Lualhati Bautista is one of the foremost Filipino female novelists in the history of contemporary Philippine literature.  Her major works include books such as Dekada '70, Bata, Bata, Pa'no Ka Ginawa?, ‘GAPÔ, Desaparesidos, Bulaklak sa City Jail, Hinugot sa Tadyang, and Sonata.  A winner of the Carlos Palanca Memorial Awards (1980, 1982, 1983 and 1984), she became a National Fellow for Fiction of the University of the Philippines Creative Writing Center in 1986.  Bautista also served as vice-president of the Screenwriters Guild of the Philippines and as chair of the Kapisanan ng mga Manunulat ng Nobelang Popular.

 

Clodualdo “Doy” del Mundo, Jr. is the legendary screenwriter of films that have become classic gems of Philippine cinema, namely Maynila... Sa mga Kuko ng Liwanag, Kisapmata, Itim, Batch ‘81, ‘Merika, Mulanay, and Bayaning 3rd World.  He is the author of books such as Writing for Film, Philippine Mass Media: A Book of Readings (ed.), Maynila..., 'Merika, Alyas Raha Matanda: Tatlong Dulang Pampelikula, and Native Resistance: Philippine Cinema and Colonialism 1898-1941.  He is also a highly esteemed educator responsible for starting the Communication Arts program of De La Salle University Manila.

 

Cristina Turalba is an advocate of heritage conservation and was part of several heritage-related activities of the United Architects of the Philippines.  She implemented the NCCA-UAP Documentation of Philippine Heritage Structures and Cultural Sites.  She led numerous projects of her company the Active Group Inc. to develop socialized housing, sustainable and living communities for Filipinos and world-class developments.  Her published works include Mavid A Vatan (Compendium of Documents on Batanes for the 2004-2007 nomination bid for inscription as a UNESCO World Heritage Sites) in 2004 Philippine Heritage Architecture before 1521 to the 1970’s in 2005 and Audio Visual Textbook of Philippine Architecture published by NCCA in 2008.  Architect Turalba was one of the first Filipino female architects and was a pioneer in the field of architecture.

 

Liwayway is a Filipino magazine established in the Philippines in 1922 that published significant works of known writers and poets as well as works of National Artists for Literature Amado V. Fernandez, Lazaro Francisco, Virgilio Almario and Cirilo Bautista and National Artist for Visual Arts Francisco V. Coching.  It is home of well-known comic series such as Mga Kuwento ni Lola Basyang (1925) and Kenkoy (1929).  As such, Liwayway was the venue for aspiring writers, giving them a space for their work and helping them find an audience for their works.  At the same time, Liwayway brought Filipino literature to the masses and helped gain an appreciation for homegrown writers.

 

Antonio L. Fabella was one of the country’s most talented and most prolific choreographers.  His works include Tambol at Padyak, Araw at Buwan (1976) and Kristo (1977) and notable works La Verite (1970), Semana Santa (1971), Prince of the Pagodas (1972).  His choreographies contributed to the development of Philippine dance.  He popularized the medium of classical and contemporary ballet, fusing them to evolve a distinct form and style.  He was a former member and principal dancer of Bayanihan, Alice Reyes Modern Dance, Company, and Ballet Philippines choreographer of the acclaimed Bayanihan Philippine National Folk Dance Company, Member of the Artistic Council of the Philippine Ballet Theater and Artistic director of QC Performing Arts Group and the Manila Dance Center that provided free training to poor children in performing arts.

 

Dr. Alice Guerrero-Guillermo was a giant in the field of art criticism and art history.  She was conferred The CCP Centennial Honor for the Arts on February 2, 1999 in recognition for her remarkable contributions to Philippine Art Criticism with a distinctly nationalist perspective.  Among her legacies are her multiple books and essays on art history, art criticism and cultural studies that served as foundation for Art Studies in the Philippines.  Among her books are - Cebu: A Heritage of Art, 1991, Color in Philippine Art, 1993, CCP Encyclopedia of Philippine Art, 1994 edition, Protest: Revolutionary Art in the Philippines 1970-1990, 2001, Inscapes: The Art of Agnes Arellano, 2008, The Art of Duddley Diaz, 2009, Diosdado Magno Lorenzo; Art Rebel to Legend, 2009, Marxism In The Philippines: Continuing Engagements, 2010 (co-author), Zeal of Art Tam P. Austria:  My Inspirer, 2015.  She co-authored the textbooks Art: Perception and Appreciation, 1976, Ang Sining sa Kasaysayang Filipino (Art in Philippine History), 1991 and Art and Society, 1997.

 

Danilo Dolor is known to be a patron of Philippine culture and arts.  He founded The Tribung Pilipino Foundation in 1978, which has shown more than 400 concerts that focus on promoting, preserving, and disseminating traditional Filipino music.  He mounted an exhibit called “The Golden Years: Memorable Tagalog Movie Ads 1946-1956," housing prominent postwar movie ads.  He presented “Alitaptap Kikilap-Kilap" in the opening of the 2012 Cinemalaya, showing notable pre-war movie advertisements from 1936-1941 or the so-called first golden years of Philippine cinema.

 

The Gawad CCP Para sa Sining, which is given every three years, is awarded to artists or groups of artists who have consistently produced outstanding works, enriched the development of their art form.  The award is also given to cultural workers, who through their works in research, curatorship and administration, have helped to develop and enrich Philippine art.  The Tanging Parangal is given to or organizations to honor their outstanding contributions to the development of the arts in the country.



THE CCP KAISA SA SINING MINDANAO ANNOUNCES THE RECIPIENTS OF THE 1ST GADOR AWARDS


THE Cultural Center of the Philippines (CCP) Kaisa Sa Sining (KSS) Mindanao announces the recipients of the 1st GADOR Awards namely Joey Ayala (Davao City), Dr. Steven P.C. Fernandez (Iligan City), Nestor Horfilla (Davao City), Agnes Locsin (Davao City), Sunnie Noel (Marawi City & Dipolog City), Maria Wanan Todi (Lake Sebu), Integrated Performing Arts Guild (MSU-IIT Iligan City), and Sining Kambayoka Ensemble (MSU Marawi City).

 

The Kaisa sa Sining Regional Arts Centers is a partnership program of the CCP thru its Cultural Exchange Department (CED) that was launched in 2014 and is aimed at strengthening further the CCP’s linkages and cooperation with regional educational institutions, non-government organizations and local government units in order to broaden public participation in the arts, promote and showcase artistic excellence and facilitate a vibrant collaboration between and among communities.  In the past six years, the cooperation and exchanges between and among CCP and the KSS network have become more dynamic.  To date, the KSS network has already grown to a total of 50 organizations in 46 areas/communities in the regions: 19 in Luzon, 14 in Visayas and 17 in Mindanao.

 

The Gador Awards: A Salute and Gratitude to Outstanding Mindanao Artists, Cultural Workers & Organizations, was one of the action plans and projects that the KSS Mindanao agreed to implement during a KSS regional forum held in Koronadal City last 2018.  In fulfillment of this plan, the CCP CED facilitated the conceptualization and planning of the project.  In early June 2019, a five-member technical working committee (TWC) was formed by the CED composed of key representatives from four KSS Mindanao organizations with CED as the lead facilitator.  The program guidelines were made and disseminated to all the KSS Mindanao network in August 2019.  The nomination period was from August 2019 to January 2020.  The Selection Committee (SC) was formed in December 2019 composed of prominent leaders/artists/practitioners from various communities and sectors in Mindanao.  The final deliberation and selection was held on February 13, 2020 in Davao de Oro.

 

The Gador Award aims to give recognition to deserving Mindanao individuals and/or organizations who have exemplified commendable work and services in cultural and artistic endeavors, and have been in the forefront of the research, development, preservation, education and promotion of arts and culture in Mindanao for at least ten (10) years or more.  The general criteria indicate that an awardee must have made exceptional accomplishments in creative work, leadership, resource management, education, artist support, audience development, community service, solidarity and partnership.

 

When asked why is it important to recognize the achievements of the artists, cultural workers and organizations in Mindanao?  Felimon Blanco, Artistic Director of Teatro Guindengan of La Salle University Ozamiz City, which is one of the KSS Mindanao, shared – “Mindanao is always celebrated through the ingenious works of its highly artistic and creative people.  But, rarely has it been given national prominence due to its “distance” to the “center”.  The Mindanao experiences are very distinct as these celebrate the rich cultural heritage and vibrant artistic practices of the region.  Recognizing the people behind these initiatives in Mindanao means elevating these for the rest of the world to take notice of the artistic excellence and cultural integrity of grounded artists and cultural workers.  The Gador Award will create a stamp in the history of Mindanao arts and culture, that highlight exemplary works and advocacies that are worth emulating.  It is hoped that this will inspire the next generation of Mindanao artist-leaders to continue practicing high artistry and cultural integrity in their works that are grounded on peoples’ traditions in Mindanao”.

 

The Chairperson and President of another member of the KSS Mindanao, The Musikahan sa Tagum Foundation Inc., Alma L. Uy, RN, maintained that the Gador Award is long overdue for Mindanaoan artists and culture specialists who deserve to be recognized for their valuable contributions and achievements in the flourishing of arts and culture not just in Mindanao but in the whole country as well.

 

Dr. Christine F. Godinez Ortega, Founder and Board Chair of the Mindanao Creative & Cultural Workers Group and a former Professor at the MSU Iligan Institute of Technology, another member of the KSS Mindanao, adds “Mindanao's artists and cultural workers continue to pursue cultural and artistic activities without any recognition or promise of awards because what they do are significant for future generations.  CCP had always reached out to the regions but I am happy that the CCP has embarked on this program to give recognition to Mindanao’s artists and cultural workers.  This is one more opportunity for Mindanao’s artists and cultural workers to shine because they are the bearers of native cultures and traditions, and they are not just resourceful but, are equally gifted in their innovations and their contemporizing various artistic forms to show what is beautiful and diverse about Mindanao”.

 

CCP CED Department Manager, Chinggay Bernardo expressed, “In our continuous cultural community outreach work in four decades, we have witnessed the unique and superior artistry, dedication and perseverance of many Mindanaoan artists and cultural workers.  So, we fully support the institutionalization of an awards program that will regularly give recognition to outstanding achievements of Mindanaoan artists, cultural workers & organizations.  The Gador Awards, the most recent initiative and joint project of the CCP KSS Mindanao network, will certainly encourage and inspire the Mindanao artistic & cultural community to aim for excellence and do public/community service”.

 

The 17 CCP KSS Mindanao are: Ateneo De Davao, Central Mindanao University Musuan-Bukidnon, City of Cotabato, City of Glan, City of Koronadal, City of Tacurong, Consortium of Universities & Colleges-Cagayan De Oro City, DMC College Foundation-Dipolog City, Dumendingan Arts Guild-Pagadian City, La Salle University-Ozamiz City, Mindanao State University-Marawi City, MSU Iligan Institute of Technology-Iligan City, MSU TCTO-Tawi Tawi, Musikahan Sa Tagum Found. Inc.-Tagum City, Ramon Magsaysay Memorial Colleges Gen. Santos City and Marbel, and St. Francis Xavier College-San Francisco-Agusan Del Sur.

 

Due to the present quarantine and travel restrictions, the GADOR Awards Ceremony is being held virtually.  It began last July 2 and is ongoing up to July 16 from the home base of the awardees.  For more information, contact the CCP CED at tel. no. (632-8) 832-3674 and 832-1125 locals 1708-1709 or email at ccp.ced2014@gmail.com.

 

The Philippines to host 13th World Congress of IUTA in August 2020



 THE International University Theater Association (IUTA) will hold its 13th World Congress on August 25-29, 2020 in Manila, according to Cultural Center of the Philippines President Arsenio “Nick” J. Lizaso. 

This was officially confirmed in a letter addressed to Lizaso by Vito Minoia, the current IUTA President.  On August 16-20, 2018 at Moscow, Russia during the 12th World Congress of IUTA, members of the IUTA Executive Committee unanimously voted to hold the next world congress of IUTA in the Philippines. 

The theme of the said Congress is “The University Theater as a Social and Cultural Agent.” 

Students and educators of local colleges and universities as well as 350 delegates from IUTA’s member network of theater associations from 1,500 universities located around the world are expected to attend the event in Manila.  IUTA Philippine Center is accepting applicants from university affiliated organizations, experts and practitioners.  Registration is also open for interested observers.

The IUTA World Congress is held every two years. 

The IUTA was established at the Université de Liège in Belgium in 1994 with the goal of developing and promoting recognized post-secondary activity in theatre training, creation, research and theoretical and practical research at the university level or higher studies, throughout the world. IUTA has members in over fifty (50) countries.

The most recent was held in Moscow in September of 2018 which Lizaso attended and was subsequently elected by Execom members to serve as IUTA Vice-President for a term of two years. 

Aside from Moscow, 11 other cities have hosted IUTA World Congresses, which include Caldas in Colombia, Minsk in Belarus, Urbino in Italy, Olympia in Greece, Quebec in Canada, Liege in Belgium, Pueblo in Mexico, Dakar in Senegal, Krakow in Poland, Leicester in England and other cities.

Lizaso, who is also Executive Director of IUTA Philippine Center said the Philippines is privileged to have this event as it is a first for the ASEAN region.

Application for presentation of papers, demonstrations, workshops and performance at the 13th World Congress are also being accepted.

Deadline for submission is on March 15, 2020.

For more details, inquire through the IUTA Facebook page at www.facebook.com/IUTAPHL, via email (iutaphilippinecenter@gmail.com) or telephone (028) 8832-1125 loc. 1101.


RENOWNED PIANIST RAUL SUNICO REPLACES RYU GOTO AS PPO GUEST SOLOIST FOR ITS CONCERT SERIES




DR. Raul Sunico, a renowned pianist, replaces Japanese violinist Ryu Goto as the featured guest soloist for the PPO Concert Series VII, slated on March 13, 2020, 8pm, at the Tanghalang Nicanor Abelardo (CCP Main Theater).

Due to the travel restrictions brought by the covid-19 outbreak, Mr. Goto has decided to postpone all his performances in Asia.

“We are happy to inform you that Dr. Raul Sunico has accepted the invitation of Maestro Yoshikazu Fukumura to perform in place of the esteemed violinist.  We are very grateful to Dr. Sunico for accepting despite the short notice,” shared PPO orchestra director Eugene A. De Los Santos, DMA.

Dr. Sunico will be performing Gershwin's Piano Concerto in F Major with the Philippine Philharmonic Orchestra, under the baton of Maestro Fukumura.

The former CCP president graduated from the University of the Philippines with the degrees of Bachelor of Music (cum laude), Bachelor of Science in Mathematics, and Master of Statistics.

A scholarship grant from former First Lady Imelda Romualdez-Marcos through the auspices of the Young Artists Foundation of the Philippines enabled him to finish his Master of Music degree from the Juilliard School of Music and attained his doctorate degree in Piano Performances from the New York University.  He was also conferred a Doctor of Humanities degree (honoris causa) by the Far Eastern University in 2005.

Sunico first attracted attention when he won the Manila Symphony Orchestra’s Young Artists’ Auditions performing the Liszt Concerto No. 1 conducted by Dr. Herbert Zipper.  He had performed with notable conductors including Enrique Batiz, Pierro Gamba, Garyth Nair, Helen Quach, Redentor Romero, Luis Valencia, Oscar Yatco, Ruggiero Barbieri, Sergio Esmilla, Eugene Castillo, and Herminigildo Ranera.

Sunico won the silver medal in the 1979 Viotti International Piano Competition in Vercelli, Italy, was a finalist in the 1979 Busoni International Piano Competition in Bolzano, Italy and received the Henry Cowell Prize in the 1980 University of Maryland International Piano Competition in the United States.  He has also served on the juries of the Bergen Philharmonic Competition in New Jersey, Isidor Bajic Memorial Piano Competition in Novi Sad, Serbia; Piyabhand Sanitwongse Piano Competition in Bangkok, Thailand; the Manila Symphony Competition, the Jeffrey Ching Piano Competition and the Piano Teachers Guild of the Philippines Competition in Manila.

A TOYM (The Outstanding Young Men of the Philippines) Awardee for Music in 1986, Sunico has been conferred a 1996 PAMANA Presidential Award for Overseas Filipinos, and received the 1995 Ceres Alabado Award for Children’s Books, among his other distinguished accolades.  He was also conferred the Commendatore Award (Order of the Star of Italy) by the President of the Republic of Italy in April 2017.

RUDY JACKSON, MASKI NASA AMERIKA AY NAKAKATANGGAP PA RIN NG MGA BIYAYA NA IBINIBIGAY DIN NAMAN NIYA SA MGA KAIBIGAN NIYA SA PILIPINAS!

SIR RUDY (IN DRAG) WITH A FRIEND NAMED MANNY SIR RUDY WITH HIS MOST INTIMATE FRIENDS SIR RUDY IN HIS NEPHEW'S HOUSE IN THE U.S. EARLY CH...